| Harpsichord with short, broken bass octave modelled on Dominicus Pisaurensis, 16th century |
|
8' |
C/E-g'',a'' |
| Lute harpsichord with short, broken bass octave modelled on Dominicus Pisaurensis, 16th century, with gut strings |
|
8' |
C/E-c''' |
| Harpsichord after Northern Italian models of the 16th century |
|
8'4' |
C/E-f''' |
| Harpsichord after Neapolitan models of the 16th century |
|
8' |
C/E-c''' |
| Harpsichord after Neapolitan models of the 16th century |
|
8'4' |
C/E-c''' |
| Harpsichord with short, broken bass octave and divided sharps for E-flat/D-sharp and G-sharp/A-flat, following early 17th century models |
|
8'
8'8'
8'8' |
C/E-c'''
C/E-c'''
C/E-f''' |
| Cembalo Universale with 19 keys per octave in the early Neapolitan style |
|
8'
8' |
C-c'''
GG/BB-c''' |
| Cembalo Universale 'false inner-outer' with 19 keys per octave |
|
8'
8' |
C/E-c'''
C-c''' |
| Harpsichord modelled on Giovanni Battista Giusti, 17th century |
|
8'8'
8'8'
8'8' |
C/E-c'''
C-c'''
GG,AA-c''' |
| Harpsichord ('false inner-outer') modelled on Aelpidio Gregori, c. 1700 |
|
8'8'
8'8' |
C/E-c'''
C-d''' |
| Harpsichord ('false inner-outer') on 18th century models |
|
8'8'
8'8' |
GG-d'''
GG-f''' |
| Virginal after Onofrio Guarracino 1668 |
|
8' |
C/E-c''' |
| Octave-virginal on a 16th century Neapolitan model |
|
4' |
C/E-c''' |
| Rectangular octave-spinet after an anonymous 17th century model, outside leather covered |
|
4' |
C/E-c''' |
| Trapezoid octave-spinet after G.A. 1627 |
|
4' |
C/E-c''' |
